Atomic Blonde

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After watching Atomic Blonde I realized that David Leitch the director does a fantastic job at choreographing action sequences. As for telling an interesting and coherent story, he did not in this cinematic venture. The only reason Atomic Blonde gets a pass mark is that the action sequences are jaw droppingly amazing

Then I did a little bit of research and realized that David Leitch has been a professional stuntman for twenty years. That explained everything to me after seeing such a movie like Atomic Blonde. I have no doubt that Leitch will be known for his great action sequences because that alone got me through his convoluted storytelling.

The story is the formulaic “manhunt for the secret document that could put the world in jeopardy” cliche. I would not have minded this had a movie like Atomic Blonde but it’s own spin on the idea. Instead, you get many characters who work for different government agencies (MI6, CIA, Stazi, French agents, Drug lords etc.) and by the final third act, they betray each other so frequently that it would take a rocket scientist to untangle all the betrayals and deceits. To top it all off, There are even multiple characters who are proud of “deceiving the deceiver”. My head was spinning with confusion.

If there is anything that is salvageable in the movie it is the cinematography and action sequences. Atomic Blonde is shot like it was an entrant at some youth art-house film festival. There are a half dozen matching cuts, the camera is slowly rotating up and down and side to side and the colors are both oversaturated and sketchy. While that is a turn off in most instances, Atomic Blonde makes these shots work

What drives Atomic Blonde home though is the action sequences. They are violent, brutal, seamless and inventive all at once. The best action sequence was a seamless long take that takes place in a staircase. The bad guys don’t go down with one punch, making them legit badasses and a real threat in the movie.

So if I were you I would get a rental or watch it online and just skip to all the action sequences. If lesbian scenes are your thing there are a couple of love scenes in which Charlize Theron and Sofia Boutella passionately make out in their perfect lingerie. Atomic Blonde is an exercise in style for style’s sake that works on style alone. Expect there is no sense in the story. Even London has Fallen had more sense in it’s story. ⭐⭐⭐

The Fate of The Furious: Still chugging along

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They say you cannot judge a book by it’s cover. They never said you can’t judge a movie by promotional picture!

The Fate of The Furious is one-upping itself by having bigger action set pieces than ever before. There are cars that topple over a multi-story parking lot like tears in the rain, five cars trying to hog tie another car, there is a car race were one of those cars was on fire and a goddamn submarie break thes ice of the Russain freaking ocean chasing our heroes. None of which is a spoiler because either 1. They happen early on or 2. They revealed them in the trailer.

The reason I describe the movie like that is simply for this one notion:

What more did you expect from this franchise?

Despite the enthusastic tone, let’s not be mistaken, The Fate of the Furious is an unsurprising, middle of the road film. To continue this car analogy, this installment of the franchise is the pitstop. A 1 billion dollar pitstop, but a pitstop nonetheless. At least it was not the car crash of the franchise. The pitstop isn’t a bad place to be but it isn’t running the laps. That’s because this movie was a hit and miss: some action scenes worked, others were too ridiculous. There is a story in it that darting around, but at least there is a story to this movie. If you are a fan of the franchise, you will like this because The Fate of the Furious keeps chugging along rain, hail or shine.

The Positives: The story and the Script

The plot: Dominic Toretto (Vin Diesel) goes rogue because the antagonist Cipher (Charlize Theron) has something on him and uses that to her advantage and Toretto helps her against his will to implement her own plans (and to the horror of his “family”).

There is a reason I mention the plot and that’s because it’s somewhat important. Yes, in movies as a whole, that’s a given but in action movies not so much. A prime example of bad storytelling being xXx The Return of Xander Cage in which the story was so aimless, scattershot and boring that it became laughable. The Fate of the Furious actually has some restraint in what it shows in terms of keeping the plot together as it kept me focused on the story which is a relief.

The other thing that was restrained was the script. It wasn’t cringeworthy like I have heard in most action movies. They only mention the word “family” thirteen times (I predicted twice the amount and it being more explicit than subtle). Therefore I consider it a success. The script isn’t Shakespeare but it doesn’t have to be. The funniest lines occur when Roman Pearce (Tyrese Gibson) has a hang up that he didn’t make it to the ten most wanted list whereas the other friends did (conveniently, he was number 11). So the movie was salvageable in the script department as well.

Furiously Burning the Budget: The Action Sequences

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The picture totally doesn’t make me the think of the song “America, Fuck Yeah” from Team America World Police

What was not restrained was the action sequences. That was exactly what I expected. They normally started off by being cool and/or clever but then change gears and amp up the ridiculousness. A prime example is an opening scene where Dominic races a Cuban with a poorly run car that he soups up at the last minute. During the race, the engine catches on fire while he is neck and neck.

That was fun. I have seen it before, but it was still fun.

Then the engine combusts and the flames obscure Dominic’s vision so he decided to finish (and win the race) by driving backwards while the crowd is cheering that a flaming car is racing toward them.

That was dumb.

To be honest, Fate of the Furious was mildly interesting throughout. It is certainly not the best in the franchise (that was Fast Five for me) but it is certainly not the worst (The Fast and the Furious: Tokyo Drift). It aimed to be the biggest action film of the year in terms of sheer scale and yet I didn’t feel that way. In terms of money at the box office, that is a real possibility. **3/4