Baby Driver is going to be a cult movie because of all the interesting quirks targeted at a young audience. One of these quirks is how they introduce Baby. All you need to know about Baby is the cadence and rhythm of his walk to the beat of his music as he orders coffee. We know who he is while nothing was said and it is damn fun to watch.
Yes, Edgar Wright has done it again. His movies are both style and substance intertwined with multiple genres and Baby Driver is no different. Wright is famous for the Cornetto trilogy (Shaun of the Dead, Hot Fuzz and The World’s End) This time, Wright has created another miniature film festival contained in a movie. Baby Driver reminds you of the classic car movies of yesteryear for today’s audience.
Baby (Ansel Elgort) is a professional getaway driver that has been forced into a life of crime by Doc (Kevin Spacey) Baby repays his debt to Doc when he has something new at stake: a waitress (Lily James)who is the woman of his dreams.
Baby Driver is a template for great escapist movies. It relishes in minuta while constantly focusing on the story. It is constantly fun and engaging and many elements of Baby Driver does that with the brilliant dialogue, the fleshed out performances from the entire cast, the stories twists, and turns, the stripped back realistic action sequences. All of this makes it feel like a fun and creative low-budget thrill ride.Another excellent element I have noticed is that Baby Driver is the rare movie that used rock music as the tone and not merely as a gimmick. Lots of movies (including Marvel movies) use retro songs in scenes as if to scream out “this is the scene that you need to have fun in” Baby Driver uses the music to serve the purpose of creating a rhythm in all the scenes. The music is a seamless flow like a movie should be instead of coming off like a rigid formulaic structure.
What also works seamlessly in Baby Driver the genre shifting from action to comedy to romance and how well all these elements work together. What is also surprising is the unpredictability of the changes, yet the transitions are so smooth that the changes never feel out of place. Never is Baby Driver a predictable film in a mad libs fashion like “Insert joke here” “Insert catchy song there”. You never knew what was coming around the corner while covering a variety of styles and tastes. This is especially entertaining as a person who has an eclectic taste in movies.
In combination with the various styles, sequences, and genres Wright has come up with a blueprint for making a great movie. Baby Driver is the movie college freshmen in film school will draw inspiration from. It’s the small movie in the sea of blockbusters that stands out for its uniqueness and will garner a cult following over the next several years ⭐⭐⭐⭐1/2
People have done various videos and blogs before on how to maximize your chances on winning your very own Academy award. However, most of the videos and blogs that I have seen have these tips that are exclusive to acting.
For my list, I will like to create tips on how to win an Academy from a variety of eligible categories. I will give tips on not only the actors but for writers, editors, cinematographers and other professions in the film industry if acting is not for you.
1. Bear little resemblance to what you look like
For all three Academy Awards that Daniel Day-Lewis has won, not once did he look like himself. For My Left Foot, he played an unkempt, unshaven man with cerebral palsy. In There Will Be Blood, he played a nineteenth-century mining prospector who fancied a mustache and his face covered in dirt, sweat, and grime. In Lincoln, he played Abraham Lincoln.
Lots of actors and actress undergo physical transformations to fit in with the consistent or setting within a movie. However, the largest physical transformations occur when an actor does a biopic. This ties into the second tip.
2. Be in a True Story
To any person that is watching a movie, they will notice an actor’s talent in a biopic for two reasons. The first one is that they know the character beforehand and so they have a frame of reference on how the actor should perform. The second reason is that you would have known all the mannerisms and attitudes the character would have had because you also have a frame of reference on the person.
Biopics are also good for directors and studios that are looking for the best picture win. Four of the last six films that have won the best picture category were from biopics.
3. Make sure the Director wins his Academy Award
If you want to win Best Picture and join the ensemble of cast and crew on that stage together you must make sure the director wins their award. The reason being is that in the last ten years, seven of the directors who won their award for Best Director won Best Picture.
This fact is not surprising considering that the director is the general, guiding the ship to its destination of success. Have a director that has ambition and acts in good faith to everyone involved. The Best Director category is almost a foreshadowing of the awards presentation for the remainder of that night.
4. Make sure that the Movie is Long
The shortest film nominated for this year’s Best Picture is Moonlight with 111 minutes and the longest film is Hacksaw Ridge at 139 minutes in length. If you are making a 90-minute film you are almost doomed to fail.
The longest film in any set of nominees has won 40% of the time according to Brendan Bettinger from Collider.com. However, the movie length that the winners of the Best Picture category tend to be in the 100-140 minute range, winning nearly 75% of the time.
If you are planning to win best short film this strategy is suicidal and I recommend you don’t try it unless you edit like the editors of Suicide Squad. This fits well into my next point.
5. Edit Smoothly
I know for a fact that critics love breezy movies. You have to give people the sensation that 120 minutes feels like 90 minutes and not make 150 minutes feel like four hours like Batman vs. Superman.
Personally, I love smooth editing. Love it. It is one of my pet peeves. How you use the length of your film is just as important as how long the movie is. That is why I think there is next to no chance that Lion will win Best Picture because it dragged sporadically throughout.
Can you imagine Suicide Squad being nominated for best editing? In the words of The Joker “Ha Ha Ha”
The ultimate goal for editing is to make the film like one long sequence despite many scenes and location changes. One of the ways you can do that is…
6. Shoot with a consistent tone
Shooting with a consistant tone is mainly the cinematographer’s job. From camera movements and angles to lighting, it has to be consistent. It is the equivalent of one coherent thought. It’s easier to sit through as viewers know what realm the movie occupies itself with.
The best films in the world have done this. This year, I believe La La Land had the best use of cinematography. The majority of the movie aimed for being plesent and vibrant. They filmed during twilight (Or magic hour) and the camera was always moving smoothly but briskley, the lighting alwayed glowed and the camera was getting the maximum out of everything that was happening in that movie.
7. Have a Flashy or Eccentric Costumes
For costume design, the common trend that I see for all the winners is you either design costumes that are flashy or eccentric. That cover the extremes on both sides of the spectrum.
When I mean flashy, I mean formal but dazzling. This is the route that finds the most success. Films like Titanic, The Great Gatsby, The Artist and The Grand Budapest Hotel have all won for best costuming and they all have the formal but dazzling feel towards all the costuming in their films.
What I mean by eccentric is to go batshit crazy with costume design. In other words, be the alternate chick on the block. I am referring to winners such as Jenny Beavan for Mad Max Fury Road and Colleen Atwood for Alice in Wonderland. Their costumes were out of left field to say the least.
8. Keep Your Finger on the Pulse
The Best Documentary category is a hard one to give advice to given that is has been marred by controversy over the years. For the documentaries of recent years, they generally deal with hot-button topics that will endure for years to come.
This year it definitely shows. With people complaining about the lack of racial diversity in film, boy those people who complained got their wish, 3 of the five nominated films this year were about racial tensions. Another film called Fire at Sea deals with the tragedy of the European migrant crisis.
As long as it is trending on Facebook or Twitter you have a chance. It gives the Academy the image that they are progressives. I beg to differ, but that is another topic for another time.
9a. Premiere or Show your Film at a Film Festival
The films that are going for Oscar nominations are ones that are premiering at a film festival. That is because the filmmakers are quietly confident that their films will be reviewed positively by cinephiles (movie-lovers) that frequently attend these events.
Some of those people are also members of the academy who expect to be enthralled by the art of cinema. Hell, some of them go their to campaign to promote the films they have done. Those are the reasons why those who campaign for the Oscars go to the festivals. That is because that is where all the voters are.
Out of the nine movies nominated this year, seven of them premiered at a film festival. The other two tried the alternate route which is…
10. Open the Film in December
If a studio doesn’t think it can compete to the same level as ones that premise or show at a festival, they will release the film in December to theaters. This is so the film will be fresher in the voter’s minds. Fresher than the nomated films that premired at film festival (theoretically speaking)
It is next to impossible for a film released January or February to win. This is because people are unlikely to remember movies from eleven months ago. That’s why Deadpool never got a nomination. I knew Marvel didn’t want Deadpool to be nominated because of its February release date.
Now go on and grab that Oscar.
Now all you have to do is become a member of the film industry, get hired to do a job in a movie, work extra long hours to beat the intese competition, pray that your fellow comrades love it and campaign for several months, follow all these steps and boom, you have gotten a goldern stature that represents a pay rise for future projects.
I chose Jamie Foxx for this picture because I don’t want to be accused of whitewashing by hypersensitives. Why has none ever accuse the Academy’s of goldwashing their statue? It’s been covered in gold for over 70 years. I think it’s unfair for the red minority statues and I feel they are underepresented by The Academy #OscarsSoGold