Tips on Winning an Academy Award

Written by Nelson Cumming

Image result for The Academy award

People have done various videos and blogs before on how to maximize your chances on winning your very own Academy award. However, most of the videos and blogs that I have seen have these tips that are exclusive to acting.

For my list, I will like to create tips on how to win an Academy from a variety of eligible categories. I will give tips on not only the actors but for writers, editors, cinematographers and other professions in the film industry if acting is not for you.

1. Bear little resemblance to what you look like

Image result for The revenant
It’s easier for people to look at and say “Wow that is a spectacular performance, they changed their appearance” 

For all three Academy Awards that Daniel Day-Lewis has won, not once did he look like himself. For My Left Foot, he played an unkempt, unshaven man with cerebral palsy. In There Will Be Blood, he played a nineteenth-century mining prospector who fancied a mustache and his face covered in dirt, sweat, and grime. In Lincoln, he played Abraham Lincoln.

Lots of actors and actress undergo physical transformations to fit in with the consistent or setting within a movie. However, the largest physical transformations occur when an actor does a biopic. This ties into the second tip.

2. Be in a True Story

True Story.PNG
Here are a couple of biopic winners including the biopic that I think has the best chance of winning Hacksaw Ridge

To any person that is watching a movie, they will notice an actor’s talent in a biopic for two reasons. The first one is that they know the character beforehand and so they have a frame of reference on how the actor should perform. The second reason is that you would have known all the mannerisms and attitudes the character would have had because you also have a frame of reference on the person.

Biopics are also good for directors and studios that are looking for the best picture win. Four of the last six films that have won the best picture category were from biopics.

3. Make sure the Director wins his Academy Award

Birdman 2.PNG

If you want to win Best Picture and join the ensemble of cast and crew on that stage together you must make sure the director wins their award. The reason being is that in the last ten years, seven of the directors who won their award for Best Director won Best Picture.

This fact is not surprising considering that the director is the general, guiding the ship to its destination of success. Have a director that has ambition and acts in good faith to everyone involved. The Best Director category is almost a foreshadowing of the awards presentation for the remainder of that night.

4. Make sure that the Movie is Long

Image result for "I think I found a transforme
“I think I found a long, long movie”

 

The shortest film nominated for this year’s Best Picture is Moonlight with 111 minutes and the longest film is Hacksaw Ridge at 139 minutes in length. If you are making a 90-minute film you are almost doomed to fail.

The longest film in any set of nominees has won 40% of the time according to Brendan Bettinger from Collider.com. However, the movie length that the winners of the Best Picture category tend to be in the 100-140 minute range, winning nearly 75% of the time.

If you are planning to win best short film this strategy is suicidal and I recommend you don’t try it unless you edit like the editors of Suicide Squad. This fits well into my next point.

5. Edit Smoothly

Image result for film editing

I know for a fact that critics love breezy movies. You have to give people the sensation that 120 minutes feels like 90 minutes and not make 150 minutes feel like four hours like Batman vs. Superman.

Personally, I love smooth editing. Love it. It is one of my pet peeves. How you use the length of your film is just as important as how long the movie is. That is why I think there is next to no chance that Lion will win Best Picture because it dragged sporadically throughout.

Can you imagine Suicide Squad being nominated for best editing? In the words of The Joker “Ha Ha Ha”

The ultimate goal for editing is to make the film like one long sequence despite many scenes and location changes. One of the ways you can do that is…

6. Shoot with a consistent tone

Image result for tonal mess
On google images, I typed “Tonal mess” This was one of the first images came. Just research on what not to do by watching Suicide Squad. Unless it’s for make-up 🙂

Shooting with a consistant tone is mainly the cinematographer’s job. From camera movements and angles to lighting, it has to be consistent. It is the equivalent of one coherent thought. It’s easier to sit through as viewers know what realm the movie occupies itself with.

The best films in the world have done this. This year, I believe La La Land had the best use of cinematography. The majority of the movie aimed for being plesent and vibrant. They filmed during twilight (Or magic hour) and the camera was always moving smoothly but briskley, the lighting alwayed glowed and the camera was getting the maximum out of everything that was happening in that movie.

7. Have a Flashy or Eccentric Costumes

Image result for edna mode no capes
Not that not wearing capes is a rule, but there hasn’t been a winner that had capes as their main costume. Doctor Strange undoubtably gave it a good go. 

For costume design, the common trend that I see for all the winners is you either design costumes that are flashy or eccentric. That cover the extremes on both sides of the spectrum.

When I mean flashy, I mean formal but dazzling. This is the route that finds the most success. Films like Titanic, The Great Gatsby, The Artist and The Grand Budapest Hotel have all won for best costuming and they all have the formal but dazzling feel towards all the costuming in their films.

What I mean by eccentric is to go batshit crazy with costume design. In other words, be the alternate chick on the block. I am referring to winners such as Jenny Beavan for Mad Max Fury Road and Colleen Atwood for Alice in Wonderland. Their costumes were out of left field to say the least.

8. Keep Your Finger on the Pulse

documentry.PNG
If you cover hot butten issues you will have a better chace of winning. Just look at the documentry nominations this year ever since The Academy had been accused of whitewashing

The Best Documentary category is a hard one to give advice to given that is has been marred by controversy over the years. For the documentaries of recent years, they generally deal with hot-button topics that will endure for years to come.

This year it definitely shows. With people complaining about the lack of racial diversity in film, boy those people who complained got their wish, 3 of the five nominated films this year were about racial tensions. Another film called Fire at Sea deals with the tragedy of the European migrant crisis.

As long as it is trending on Facebook or Twitter you have a chance. It gives the Academy the image that they are progressives. I beg to differ, but that is another topic for another time.

9a. Premiere or Show your Film at a Film Festival

Image result for venice film festival
The Venice Film Festival (pictured) and the Toronto International Film Festival generally kick-start the Oscar campaign

The films that are going for Oscar nominations are ones that are premiering at a film festival. That is because the filmmakers are quietly confident that their films will be reviewed positively by cinephiles (movie-lovers) that frequently attend these events.

Some of those people are also members of the academy who expect to be enthralled by the art of cinema. Hell, some of them go their to campaign to promote the films they have done. Those are the reasons why those who campaign for the Oscars go to the festivals. That is because that is where all the voters are.

Out of the nine movies nominated this year, seven of them premiered at a film festival. The other two tried the alternate route which is…

10. Open the Film in December

The one street that December films don’t want you to enter.

If a studio doesn’t think it can compete to the same level as ones that premise or show at a festival, they will release the film in December to theaters. This is so the film will be fresher in the voter’s minds. Fresher than the nomated films that premired at film festival (theoretically speaking)

It is next to impossible for a film released January or February to win. This is because people are unlikely to remember movies from eleven months ago. That’s why Deadpool never got a nomination. I knew Marvel didn’t want Deadpool to be nominated because of its February release date.

Now go on and grab that Oscar.

Image result for best oscar recipient

Now all you have to do is become a member of the film industry, get hired to do a job in a movie, work extra long hours to beat the intese competition, pray that your fellow comrades love it and campaign for several months, follow all these steps and boom, you have gotten a goldern stature that represents a pay rise for future projects.

I chose Jamie Foxx for this picture because I don’t want to be accused of whitewashing by hypersensitives. Why has none ever accuse the Academy’s of goldwashing their statue? It’s been covered in gold for over 70 years. I think it’s unfair for the red minority statues and I feel they are underepresented by The Academy #OscarsSoGold

 

Advertisements

La La Land: I smell an Oscar or Four

Image result for La La Land poster

Written my Nelson Cumming

La La Land is absolutely fantastic. It is worth all the hype it is getting. At the Venice Film Festival last year where La La Land premiered the audience gave it a standing ovation. That did not sell the film to me as standing ovations at film festivals are not uncommon. Now that I have seen it I see why it would get a standing ovation anywhere.

I think the only reason it did not happen at my screening (It was packed) was because no one was brave enough to start it. Myself included. La La Land is a movie with high ambition that cleared every bar it sets out to achieve in spades.

The film is a story about Mia (Emma Stone) who is an aspiring actress and Sebastian (Ryan Gosling) who is a jazz enthusiast. They develop a relationship which is tested by their own carriers as they life in the glamor of the Hollywood.

Because of how La La Land is shot, it is easy to be swept away. Director Damien Chazelle went for unrestrained romanticism with a ton of upbeat energy. This style can become easily tiresome but it works because I have not seen anything quite like La La Land. He must have spent ages perfecting the movie’s tone.

la-la-land
The overall tone of La La La. There is a ton more colour to the film than this. Hopefully this will give you a rough idea.

The only movie from 2016 that La La Land reminds me of is Woody Allen’s Cafe Society. I liked Cafe Society, but La La Land is on a whole new level.

Not only can I find anything bad about it. I don’t want to find anything bad about it because it looks so picture perfect. From the opening shot which is an entire music number set on the motorway during traffic to the final montage is so colorful and vibrant that it blew my mind.

Image result for Awe
That is what my eye looked like after seeing La La Land

La La Land is the kind of gem that it’s impossible to pinpoint the best scene as you are watching it. The movie always seems to trump itself. I thought the second scene “Somewhere in the Crowd” was going to be the best scene. There were about six scenes that were better (especially the finale). It is rare for any movie to have one great scene. La La Land was one great scene after another and it feels like one long stupendous sequence.

The chemistry between Stone and Gosling is so charming it is nuts. The amount of talent that radiates between them separately is enough, let alone the two together. They have so much class and talent. Gosling knows how to play the piano and stone knows how to sing and tap dance. The both, with their talents, created a story that gave a new meaning to an old ending.

Image result for la la land
Gosling trying to convince Stone that jazz is not dead. If I had a significant other, I would try to convince my future significant other that pro wrestling is not dead. Gosling manages to persuade Stone on his passion. But I am no Gosling. I am much better than Gosling.

There are dozens of other things to praise La La Land for such as the colorful costumes, the seamless camerawork, the songs and the camaraderie which helped make an old story feel brand new.

Chezelle has achieved something magnificent here. He has shown the glitz and glamor of old school Hollywood and makes it look like the focal point of La La Land when it reality it is about the struggles of success and realizing that life is not as perfect as the exterior he masterfully presents.

Damien Chezelle’s face. See it, remember it. Given this and Whiplash, he will be in many acclaimed movies to come.

Chezelle is like the antihero of his generation of filmmakers that has gained mainstream acceptance. He is against the grain but has cleverly made his way into the minds the major film studio executives. He won’t change their minds, but he was in the picture after Whiplash. Now they would have wholly accepted him after La La Land.

Judging from his movies, Chezelle has a huge artistic vision that can now be easily funded and executed. He is guaranteed to make whatever he wants for his next effort, have a lot of artistic freedom and easily get millions of dollars to support it. Something most directors only dream about. ⭐⭐⭐⭐⭐